Kalamandu1 min read

Choosing a size

Heights here run from three inches to nearly three feet. Which one is right is decided by the shelf, not by the budget.

On this page
  1. Under six inches
  2. Six to twelve inches
  3. Twelve to twenty inches
  4. Above twenty inches
  5. The one thing to measure first

Every listing gives a height, and it is the measurement people find hardest to turn into
a room. Some rough anchors.

Under six inches

A shrine figure, or a travelling one. At this size the face is about the width of a
fingernail, which is why small pieces are a fair test of a workshop: there is nowhere to
hide a badly cut eye.

They work in a group. Three small figures on a shelf read as a shrine; one small figure on
a large surface reads as an ornament somebody left there.

Six to twelve inches

The most common range, and the one to default to for a home shrine. Twelve inches at eye
level is roughly the size at which the whole figure resolves without you leaning in.

If this is a first piece and it has no fixed place to go yet, this is the safe band. Large
enough to be the object in a room, small enough to be moved.

Twelve to twenty inches

A piece that sets a room rather than sits in it, and it needs a surface it does not crowd.
As a rule of thumb, leave half the figure's height clear on either side and about the same
above.

Weight starts to matter here. A sixteen-inch cast figure is solid metal, and the shelf it
stands on becomes a real decision.

Above twenty inches

Usually a commission, usually a temple or a dedicated space, and usually made to order.
The lead time on the listing is not a formality.

The one thing to measure first

The clear height above the surface, not the depth of the surface. An alcove that takes the
base and not the crown is the mistake that comes up most.

Keep reading

More from Journal

  • 2 min read

    Which figure is which

    Most of the statues in this catalogue can be identified from across a room, once you know that the hands are doing the talking.

  • 2 min read

    What oxidized actually means

    The dark finish is not an absence of gold. It is a deliberate surface, and it is the one that shows the chasing best.