Shakyamuni Buddha, Earth-Touching
fromNPR 38,000
Amitabha Buddha
Oxidized copper, hands in meditation
NPR 62,000
Quantity
KLM-AMITAB-OX-08
Buddha of the western pure land, both hands resting one above the other in the meditation mudra, an alms bowl between them. Where Shakyamuni is shown at the point of action, Amitabha is shown entirely at rest, and the casting follows suit — fewer lines, a broader lap, a quieter face.
What to expect from this order
Cast by hand in a named workshop
Made by Oku Bahal Shilpa in the Kathmandu valley, and paid for directly. About the workshop
Dispatched in two working days
Tracked the whole way. Anything over 10 kg travels by freight on a booked slot. Shipping and delivery
Nothing charged now
Pay the courier on delivery, or by wallet or bank transfer once we have confirmed the piece. How paying works
14 days to change your mind
Return it within 14 days of delivery, in the condition it arrived in. Refund policy
The detail
Measurements, materials and how this one was made — the facts a photograph cannot carry.
- Deity
- Amitabha Buddha
- Finish
- Oxidized copper
- Posture
- Seated in lotus
- Inlay
- None
- Material
- Copper
- Technique
- Lost-wax cast
- Origin district
- Lalitpur (Patan)
- Artisan
- Oku Bahal workshop, Patan
- 8 inch
- 13.4 × 9.7 × 20.3 cm, 2.3 kg
- 10 inch
- 16.8 × 12.2 × 25.4 cm, 4.4 kg
Amitabha is the form most often commissioned for a home shrine rather than a temple, and the workshop keeps the proportions slightly softer for that reason: it is made to be looked at from three feet away in a small room, not from across a hall.
Cast by the lost-wax method the Newar workshops of Patan have used for roughly a thousand years. The artisan models the figure in wax, encases it in a clay and rice-husk mould, fires the mould so the wax runs out, and pours molten metal into the void that is left. The mould is broken to release the casting, so no two pieces from it can ever be identical. Chasing, filing and detailing the face are then done entirely by hand — the slowest part of the work, and the part that decides whether a statue is any good.
Dust weekly with a dry, soft cloth; a natural-bristle brush reaches into the crown, the jewellery and the petals of the lotus base. Never use water, metal polish or any commercial cleaner — the dark tone is a deliberate chemical patina and polishing strips it permanently. Keep out of damp rooms and direct sun. Lift by the base, never by an arm or an attribute.
In-stock pieces are dispatched within two working days and tracked all the way. Pieces over 10 kg travel by freight on a booked slot rather than by parcel carrier.
You can return it within 14 days of delivery, in the condition it arrived in. If you changed your mind you pay the return postage; if it was faulty or damaged in transit, we do. The refund policy sets out how, and the shipping policy covers costs and timings.
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